The 2015 VMAs were a typical awards show : Music industry puppets doing what they are told to do by their masters.
The host of the show, Miley Cyrus, is the ultimate product of the industry: a hyper-sexualized Kitten slave with no control over her behavior, image or her thoughts.
If you are a regular reader of Vigilant Citizen, you know that I’ve been writing about award shows for years. I always feel compelled to analyze them because they so openly reveal the powers that controls popular culture and their true intent.
Six years ago, I wrote an important article on the 2009 VMAs that was one of the most blatant displays of the occult elite ever seen. Do you remember who the stars were of the 2009 VMAs? Kanye West and Taylor Swift. Do you know who the stars were of the 2015 VMAs?
Kanye West and Taylor Swift. Six years later, the puppet show still uses the same puppets to “entertain” us.
The VMAs are indeed not for the claustrophobic. Year after year, the show unites the same faces in a closed space to act out whatever ritual the elite wants the masses to witness this particular year. The 2015 VMAs were no different, and, in some ways, took things to a disgusting new low.
The 2015 VMAs were about mind control slaves, alter personas, hypersexualization, degradation, strange political propaganda, and, most importantly, gigantic fake butts.
It is about everything the industry has turned into: a bunch of broken people being manipulated to break the masses as a whole.
Hosting this entire mess is the figurehead of Beta Kitten programming, Miley Cyrus, who, throughout the show, aimed to prove that she is an empty shell, an artificial alter persona that has been reduced to talking only about either sex or drugs.
And, when she is not talking, her act is about degradation mixed with a hefty dose of Illuminati symbolism.
The opening sequence of the VMAs was a near-psychadelic animated montage that clearly exhibited what these award shows are truly about: No, it is not about the music.
The VMAs are about the rituals we are made to witness – all pre-programmed by the higher ups of the music industry.
The opening sequence of the VMAs featured some of the symbolic and ritualistic events that happened throughout the years, including the initiatory kiss between industry slave Britney Spears and the grand priestess of the music industry Madonna. The movement of “fluids” from one skull to another aptly portray the occult transfer of energy during that ceremony.
Continuing in the Beta Kitten tradition, Miley Cyrus is seen literally riding a kitten with a pair of cherries over her head. To emphasize her dissociative MK slave status, her head pops off and a bunch of crap (that makes up her alter persona) comes out of her body.
That opening sequence sets the table for what was to come: A Illuminati MK slave extravaganza.
Miley Cyrus: Beta Kitten Slave
As stated above, the VMAs were mostly about Miley Cyrus and her Beta Kitten slave status. It is as if her handlers wanted to show to the world to what degrading lows they can force her to go.
At the start of the show, Miley says this:
“I am totally stoked to have my entire family here tonight.”
The camera then cuts to her father Billy Ray Cyrus who has to sit there and watch his daughter do a bunch of really degrading stuff. Here older brother and younger sister were there too.
Only a few years ago, in 2011, Billy Ray was speaking out against Miley’s handlers and even added that his family was “under attack by Satan” (read my full article about it here).
Billy Ray stated:
“I’ve done some stupid crap – I do stupid crap. We all do. But it’s different when you sit back and you see it happening to your little girl,” he explained. “I feel like I got to try. It’s my daughter”
“And,” Billy Ray added, “some of these handlers are perhaps more interested in handling Miley’s money than her safety and her career,” something that leaves him “scared for her.”
Billy Ray went on to discuss how fame ultimately cut short the lives of Jackson, Cobain and Anna-Nicole Smith, which has made him all the more eager to help his daughter navigate through life in the spotlight.
When he looks back on Miley’s rapid rise to fame through “Hannah Montana,” on which they both starred, he said he sees how “the business was driving a wedge between us.”
“It destroyed my family. I’ll tell you right now – the damn show destroyed my family,” Billy Ray declared, before admitting he wishes they never agreed to do the Disney Channel show.
“I’d take it back in a second. For my family to be here and just be everybody okay, safe and sound and happy and normal, would have been fantastic. Heck, yeah,” he said. “I’d erase it all in a second if I could.”
And for those who believe Billy Ray’s concern is really about whether his daughter will continue to be a cash cow, he offered to set the record straight.
“I’ve never made a dime off of Miley,” he insisted. “You got a lot of people have made percentages off of her. I’m proud to say to this day I’ve never made one commissioned dollar, or dime, off of my daughter.”
Billy Ray didn’t place all the blame on those currently in Miley’s life. There are also evil forces at work, he claimed.
“Somewhere along this journey, both mine and Miley’s faith has been shaken,” he said. “That saddens me the most.”
His family, Billy Ray argued, is now being ruined by Satan.
“No doubt,” he insisted. “There’s no doubt about it.”
– NY Daily News, Billy Ray Cyrus in GQ: My family is under attack by Satan, I’m ‘scared for’ daughter Miley
A few years later, Billy Ray went from accusing the “evil forces” of the industry of manipulating Miley and even fearing they she might end up like other industry slaves (namely Michael Jackson and Anna Nicole Smith), to sitting at the VMAs and cheering for his MK slave daughter. I guess he got subdued.
Knowing that Miley’s entire family was in the audience made watching the VMAs even more difficult.
Shortly after seeing her father in the audience, Miley comes out dressed like this. What father wouldn’t want to see that?
Like everything else in the VMAs, this cringe-inducing scenario was not random. The sick, twisted industry was openly showing what it is doing to Billy Ray’s child and, on a larger level, all of the nation’s children.
By putting onstage Miley Cyrus, the wholesome Disney girl who grew up before our eyes, and turning her into Beta slave – while her father is watching – is the industry telling us :
“This is what we are doing to the youth, and there is nothing you can do about it”.
Before the VMAs even started, Miley posted a pic on Instagram about hosting the VMAs. She’s totally naked and strategically hiding one eye. A great way of telling us that she’ll be the ultimate Beta Kitten slave for the VMAs.
Speaking of Instagram, a humorous skit during the VMAs was about two men in suits dictating to Miley what she should post on her Instagram account.
Considering the fact that Miley keeps posting Illuminati mind control pictures on her account (see mySymbolic Pics of the Month articles), I wouldn’t doubt that there are actual men in suits telling her what to post to her millions of followers.
During the skit, one of the men shows Miley one of her selfies – she has one eye strategically hidden. Her persona is 100% about being an industry slave.
Throughout the show, Miley constantly emphasizes the fact that she is completely uninhibited and that there is no limit to what she can do, which is the prime characteristic of a Beta Kitten slave.
For no particular reason, she says:
“You know me, I’ll do anything. It doesn’t get much crazier than me.”
Instead of actually hosting an awards show, the VMAs was more about portraying the Beta Kitten status of Miley.
In another skit, Miley gets asked what’s the nastiest thing she’s done.
Miley tells a long story that is nearly entirely censored where she appears to be describing disturbingly weird sex with a bunch of people. In the end, she apparently ends up licking the floor. In other words, Beta Kitten stuff.
Later we see Miley nearly naked while wearing glasses that remind us how MK slaves are completely blinded to what is happening to them. She is holding a pastry laced with drugs given to her by some guy. In other words, she has zero control on her mind, body and soul.
Later during the show, we see Cyrus naked behind a curtain. She is given a mic because she needs to present something The camera then cuts away because her boob is out.
We then hear Miley says:
“My tit is out? Sorry!”
Why was Miley naked at this specific point and time? Why was she given a mic? Why was she even on camera? Why can’t she have a little dignity for a couple of minutes? Because she is the Beta Kitten of the night.
The Nicki Minaj Beef
Then, of course, there was the odd scrap with Nicki Minaj that caused some pointless discussions the next day. First, at the risk of shocking you, yes, this was clearly scripted.
It was about one Beta Kitten (Nicki) going at another one (Miley). Let’s relive this great moment in American history.
First Nicki gets an award for her video “Anaconda”, which is basically a Beta Kitten theme song. When she gets on stage, the screen behind her displays Nicki riding a kitten.
If you re-listen to her little acceptance speech, you’ll notice something weird. She starts off speaking very gangsta-like, saying stuff like:
“Where my girls getting money at?”
Then, as if a switch was turned on, she takes on California Valley Girl accent and says with a little voice:
“Thanks you guys, this is sooo epic. This might sound sooo random but do you know who I’d like to thank? My pastoooor.”
Nicki then switches again, becomes ghetto, again and calls Miley a bitch and so forth. In short, Nicki basically switched personalities like MK slaves do. This is one big Illuminati mind control show.
When then see Miley looking irritated about what just happened. The two eyes on her breast confirms that this is an MK setup.
Miley then says that, even though she did not win an award at the VMAs, she nevertheless had an impact on them. We then see the pinnacle moment of her career appear behind her.
According to Miley, the impact she had on the VMA was when she became America’s #1 Sex Kitten.
MTV is really trying to make this moment “iconic”. We see it appear at several occasions during the show.
The VMAs ended with a horrifying performance from Miley that features one of the worst songs I ever heard in my life.
In my article entitled The Agenda Behind Bruce Jenner’s Transformation, I described how the confusion of genders is an important part of mass media agenda in 2015.
Whether you agree with it or not, nobody can deny that there was a clear mass media push for everything transgender this year. Miley Cyrus’ final performance is further proof of this.
The performance was presented by unknown people who are apparently transsexuals. One of them says “We do this because of the sticky young impressionable minds that are watching us right now”. Yup.
Miley then proceeds to perform surrounded with countless Illuminati All-Seeing Eyes on and around her.
Her song ends with her saying:
“Why they put the d*ck in the p*ssy? F*ck you!”
Miley, who is basically the only female on stage (although she claims she is “gender fluid”), “blows her load” on the audience. It is all about reversing genders and their natural functions.
At the very end of the show, we see a harsh reminder of Miley Cyrus’ status as an MK slave.
Miley announces that her new album is available online. The name of that album? “Miley Cyrus and her Dead Petz”.
That’s a rather dark name, especially considering the fact that Miley was reportedly very distraught when her dog died last year. In mind control it is a common technique to cause trauma and dissociation to a slave by giving them a pet to care for and then to kill it.
In short, everything about Miley Cyrus’ hosting gig was about promoting and exploiting the Beta Kitten persona she is forced to embody.
Believe it or not, there were other people at VMAs, and they also brought their share of Illuminati Agenda to the table.
During the pre-show, Amber Rose and her friends wore clothes with some pejorative terms on them – apparently to “raise awareness”.
That’s some typical, hypocritical, reverse-psychology type stuff the elite loves to do. Doesn’t walking around with a label on you automatically reduce you to that label? According to her outfit, Amber Rose has an issue with the word bitch. Maybe she should re-read the title of her own book.
The book should be titled “How to be a Hypocrite”.
All of the presenters who walked on stage had a gigantic eye behind them, a clear reminder that they are all owned by the industry. Here, Britney Spears, a veteran Beta slave, made a very robotic appearance.
After his performance, Justin Bieber was seen crying for several seconds.
As I stated in my last article on Bieber, he is basically a male Beta slave and his entire career is about shame, humiliation and being a broken person.
I am not sure if his crying staged or not, but the camera did stay on him for a few long seconds instead of just cutting away to something else like it usually does.
While Bieber was sobbing on stage, Miley takes off her jacket, swings her hips and tells him:
“Hey Justin, call me when you’re legal”.
In other words, she treated him like an underage sex toy… like his handlers most likely did. Another very cring-inducing moment involving two industry slaves.
But the cherry on this MTV Sunday? Kanye West talking very slowly, for a long, long time, making little to no sense, to finally reveal that he wants to be the President of the USA.
The industry broke Kanye. And since he’s Mr. Kardashian, he barely makes sense anymore.
While one can wonder why he did not simply thank people for his award instead of going on endless rant, he said one sentence that sums up the reason behind these award shows.
“This arena, its going to be totally different setup tomorrow. This stage will be gone. After that night, the stage is gone, but the effect it had on people remains.”
The 2015 VMAs were, once again, a celebration of everything “the industry” is about. And the industry is not about music, creativity or artistry. It is about the industry showcasing its twisted control over its puppets to the world.
More importantly, it is about saturating the airwaves with the antics of people nobody truly cares about in order to make sure that true, revolutionary artists, with the potential to truly change the world, can never get much-needed television time.
In short, the 2015 VMAs, and the “music” it promotes, are about transferring the sad, twisted and toxic culture of the entertainment industry directly into the minds of the youth.